ready for dessert: behind-the-scenes, baking tips, and errata

There’s a lot going on when you write a cookbook. You begin with an idea, then spend a year or two testing and developing recipes. Once the first draft is done, it goes through a developmental edit where the editor gives feedback on what you’ve done so far and offers up changes, ideas, or things to reconsider. After you’ve implemented those (or not), it then...

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ready for dessert: behind-the-scenes, baking tips, and errata

0 comments - 10.19.2025

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There’s a lot going on when you write a cookbook. You begin with an idea, then spend a year or two testing and developing recipes. Once the first draft is done, it goes through a developmental edit where the editor gives feedback on what you’ve done so far and offers up changes, ideas, or things to reconsider.

*One of my favorite pictures from Ready for Dessert: Slicing the Marjolaine, which is also one of my favorite recipes in the book. (Photo by Ed Anderson)*

After you’ve implemented those (or not), it then goes to a copy editor who checks grammar and spelling, as well as scans the recipes for omissions or gaffes, such as forgetting to say when to add an ingredient, and checks your metric conversions. I’ve seen more and more books lately that also credit an “Americanizer,” who presumably takes on that last task, since conversions are a big lift. I kid you not. I’m pretty sure I could write two cookbooks a year if we all used the same system of measurement.

The book then goes to a production editor, who makes sure everything is in the right place, then to a proofreader. (Not all publishers do all these steps. Mine does.) During the process, cookbook authors often send recipes to testers to give the recipes a go and get feedback. Some authors have people develop recipes but I give a tester the finished recipe and get feedback on that.

Shooting some of the desserts in our backyard.

If the book is going to be photographed, food stylists generally make the recipes for the photos, although in some cases, the author does. (Which I’ve done.) But it’s a very big job organizing and planning the shoot, then gathering all the ingredients and making everything, which is especially challenging if you plan to shoot five different photos a day. Then there’s the cleanup afterward.

I was fortunate to have George Dolese and Elisabet der Nederlanden working as a team on my book since there were a lot of photos to shoot in 2 1/2 weeks. That’s a very long shoot, but my publisher wanted a lot of photos so we, along with photographer Ed Anderson, delivered.

George arrived with a 7-inch (18cm) thick notebook, and I was startled to see how organized he was. We’d corresponded a lot before he came to Paris, and he asked me what he should bring from the U.S. I said parchment paper circles, natural cocoa powder, Lazzaroni amaretti cookies (why can’t we get those here? Romain has been devouring the leftovers…), almond paste, and chocolate chips — among other things.

When George and Elisabet arrived, armed with massive shopping lists, I took them to a Grand Frais supermarket outside of Paris. For some reason there are no Grand Frais supermarkets in Paris, but they have a remarkable selection of everything, including aisles and aisles of every kind of fruit you can imagine, as well as a massive cheese aisle, a butcher, and shelves of nuts and baking ingredients.

Buying (lots of) butter at Grand Frais.

I also took them to Metro, a membership-only store that requires you to have a resale license. Elisabet is a particularly avid baker and went a little nuts in the baking aisles. She was especially wowed by all the various sugars available in France, from dark, moist cassonade (cane sugar) to crunchy pearl sugar.

Food stylists are invariably pros at cooking and often give valuable feedback if they run into any issues with the recipes. To be honest, food stylists do a better job than most of us can to make food look good for the camera. No one working on cookbooks uses fake food or anything like that, although when shooting pictures for the first edition of Room for Dessert (I was the food stylist on it), which became Ready for Dessert, I couldn’t find Concord grapes for the pie since it wasn’t grape season. A food stylist friend suggested that since it was only for a photo, I should use black olives. I used regular grapes instead and zhuzhed them up with some grape jelly for color.

Banana butterscotch cream pie, page 100. (Photo by Ed Anderson)

Once the book is laid out and designed, with everything in place, the publisher sends a PDF of the book to the author to check and make sure everything’s A-OK. Then it’s off to the printer, and when you get the final book in your hands, you notice that tablespoon in one recipe is spelled “tablespooon.” (Which happened to me in another book.)

Photographer Ed Anderson and I took a coffee break when shooting out and about in Paris, here in the Place des Vosges. I had hot chocolate!

As the great Maida Heatter called them, “gremlins” get into cookbooks, no matter how hard you try to keep them out. Also, as someone who likes to tinker with recipes, I sometimes find different ways to make them. Books also have limited space, so it’s nice we have the internet to fill things in, as I’m doing here.

*During the photo shoots, I was sometimes tasked with “staff meal.” I kept things pretty French for the crew, and jambon-beurre (ham and butter) sandwiches became the most requested meal…and I was happy to oblige.*

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Ready for Dessert Recipe Notes & Errata

Here are some additional notes about the recipes, including a few tips on baking times, a little errata the thickness of a cookie recipe, and an bonus recipe, that’s on the cover of the book.

– For the Easy jam tart (page 121), if the dough is a bit too sticky to press into the pan, put the pan with the pastry in it in the refrigerator or freezer for a few minutes to firm the pastry up.

– When making the Peanut butter and jelly linzertorte (page 103), if the ropes that you’re rolling by hand to place over the top break, it’s ok to place the pieces on top of the tart and simply pinch them together. They’ll bake up beautifully. While a lattice topping is traditional on linzertorte (which is really a tart), baker Jessie Sheehan suggested that the dough could be crumbled over the top of the tart, which I’m going to try the next time I make it.

– For the Panna cotta recipe (page 161) you can reduce the amount of sugar to 1/4 cup (50g), and you can omit the cinnamon and lemon zest if you want them with those flavorings in them.

– For the Croquants (page 251), yes, the batter is measured out in teaspoons, one per cookie, which is the measurement in the book. It makes cookies the size they are in France, the cookies in the photo on the left. (It doesn’t seem like a lot of batter when you are making the cookies, but the batter spreads as it bakes.) You are welcome to make them larger, like the cookies on the right. You may need to increase the baking time another minute or so, until they’re toasty brown across the top.

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